* - Asterisk means I already had a good mp3 copy of this album, but threw up a few words anyway in the name of having an internet-based chronicle of all my legally-purchased, store-bought music
BLACK SABBATH
Black Sabbath (1970, Warner Bros.) - Hey, remember the Anthrax Gauntlet from back when we were still in the A's? Well, here's the Sabbath Gauntlet, which won't be the last time a single band has like ten CDs here. (Much to my eternal shame, the Motörhead Gauntlet won't be insanely long, because most of my Motörhead stuff was nefariously downloaded like ten seconds after I got high speed internet, but I'm working on it, dammit, I'm taking steps.) Anyway, I just remembered that time Dave Mustaine bragged about starting the trend of bands putting bells in their songs, (and now I can't remember which song off off Killing is My Business that it was) but not only were "For Whom the Bell Tolls" and "Hell's Bells" already out by then, but the song "Black Sabbath," by the band Black Sabbath, off the album Black Sabbath, starts with church bells, literally the first song off the first album by the first heavy metal band. How were we ever so young and innocent to not think that Dave Mustaine was full of dog shit?
Paranoid
(1970, Warner Bros.) - OHHHH SHIT, IT HAD TWO CDS INSIDE,
AND I FOUND MY COPY OF SOUND OF WHITE NOISE BY ANTHRAX AND YOU
CAN GO OVER TO THE A PAGE AND SEE THAT NOW, YESSSSS. Anyway,
much as Sound of White Noise was one of my first eleven CDs I
bought from my cousin, this was one of my second dozen that
I got from Columbia House. Also, it was my first exposure to Black
Sabbath beyond mere "best of" cassettes bought from gas stations,
(I think I still have one of those somewhere, but the cover is
long gone, possibly from as early as two previous owners ago) and
was my first exposure to the fact that Ozzy's entire solo career
is a moist turd from someone you don't like when compared to the
first few Sabbath albums. Everything on here is amazing, even the
wimpy hippy song with bongos that the Oklahoma City rock station
played constantly, because even stations that are all "KATT: YOUR
HOME OF THE ROCK!!!" are still just going to play the slow, quiet
song, so as to not disturb the normals. Come to think of it, not
only was "Planet Caravan" the only Black Sabbath song that station
would ever play, but it was also the only Pantera song they'd ever
play. Come on, you guys.
Master
of Reality (1971, Warner Bros.) - There was a time back when
I was still young and athletic, (as in fat and slow, but still
young enough to have hope that things could change someday) I
would watch Extreme Championship Wrestling every weekend on the
crazy not-quite-public-access-but-close channel, (as part of the
damnedest 6-plus hour block of wrestling ever assembled on a
weekly basis, which is how I spent the time I was supposed to
spend talking to girls) and have pie-in-the-sky dreams of one day
becoming a rassler and going to ECW, (which was going to last
forever with no chance of bankruptcy, because they were Extreme)
and for some reason, I always envisioned "Children of the Grave"
as my unlicensed ECW entrance music that they'd have to edit out
of VHS releases. I'm 36 now, and all my dreams of concussion-based
glory are dead, but this is still really great.
Vol. 4 (1972, Warner Bros.) - I mentioned Black Sabbath tapes from gas stations earlier, and I originall got this album in such a manner. The funny thing was that it was sold to me with a weird cover under the title Children of the Grave, even though I just mentioned that being off the previous album, and I guess to justify it, they tacked on the Live at Last version of that song at the end. Even though that was technically a legal release, it was still kind of bootleg as hell, and I'm sad that the death of physical media means that stuff like that doesn't happen anymore. No one gets to act like they're hot shit, because they have the older version of Ride the Lightning where the album cover is a square at the top of the tape with the title printed below, as opposed to the one with just the cover cropped into a rectangle, because it's all ones and zeroes now. I'm still really sad that I was too broke to grab all those Russian 2CD bootlegs of all the 80s Iron Maiden CDs that popped up at Hastings that one time. Anyway, this is probably the last fully-infallible Black Sabbath album, but as such, is fully infallible.
Sabbath,
Bloody Sabbath (1974, Warner Bros.)- I remember being super
excited when the Columbia House package arrived, because the title
track was the best thing ever, even back when I only knew it as an
Anthrax cover version. But it took me years to enjoy this beyond
that and a couple other songs, which was jarring, because the
previous four were just top-to-bottom greatness without a skipped
track anywhere. And even what's good is kind of blandly
inoffensive, and dudes, I am really struggling to come up with
anything to say in the alotted time of ripping the CD, as set
forth in the official rules, and Sweet Jesus, why is it taking so
long. Is the CD scratched? Is my DVD-RW drive broken just a couple
months after replacing the old one? Is this real? Am I dead? Are
we all just figments of - Okay, CD's done.
Black
Sabbath - Sabotage (1975, Warner Bros.) - I always thought
this was a weird one, because "Am I Going Insane" is the song
that's on all the greatest hits compilations, but "Hole in the
Sky" and "Symptom of the Universe" are the ones that are actually
good. Hearing "Hole in the Sky" for the first time as a dude who
was way late for the bus for old Sabbath was traumatic for me,
because I am pretty much the Sacred Reich dude, like I got shirts
and posters and everything, and I'm pretty sure I liked
Independent way more than TR00 METAL types are supposed to, and it
turned out that "Crawling" pretty much shamelessly stole its first
minute or two from that song. I mean, it's one thing when
mid-period Megadeth would appropriate Metallica stuff, because
Dave's an ass, but also might be the uncredited writer for the
original, but Phil Rind should know better. He just seems so nice.
Never
Say Die (1978, Warner Bros.) - This is the last O.G. Ozzy
Osbourne era album, and man, I get it. The title track is great,
and if I ever magically become a filmmaker, I'm going to craft a
movie around the possibility of using it as the closing credits,
but I literally remember nothing about the rest. I think these
dudes were pretty much done in their present form at this point,
and if I had the opportunity to kick Ozzy out and hire David
Donato Ronnie James Dio, I'd have done it too. It's funny
that in the triumphant final run for Black Sabbath, the album
cover for this figured heavily into all the imagery and whatnot
and T-shirts with the jet pilot guys starting popping up
everywhere. I guess it was some sort of subversive way of saying
"now that it's legally Sharon Osbourne's band, Dio/Tony
Martin/etc. never existed, and we're picking up from the band's
last album." Fuck Sharon Osbourne. I don't wish death on her or
anything, but maybe just accidentally, non-fatally shot out of a
cannon or something cartoonish. I dunno, I just always like the
idea of people being shot out of cannons. (R.I.P., the concept of
the circus.)
Heaven and Hell (1980, Warner Bros.) - It would be easy to just copy and paste the lyrics and tell you that this is the greatest, like a 99 on a scale of 1 to 10, so I'm going to do that.
Oh no, here it comes again
can't remember when we came so close to love before
Hold on, good things never last
nothing's in the past, it always seems to come again
again and again and again
Cry out to legions of the brave
time again to save us from the jackals of the street
Ride out, protectors of the realm
captain's at the helm, sail across the sea of lights
Circles and rings, dragons and kings
weaving a charm and a spell
Blessed by the night, holy and bright
called by the toll of the bell
Bloodied angels fast descending
moving on a never-bending light
phantom figures free forever
out of shadows, shining ever-bright
Neon Knights!
Neon Knights! all right!
Cry out to legions of the brave
time again to save us from the jackals of the street
Ride out, protectors of the realm
captain's at the helm, sail across the sea of lights
again and again, again and again and again
Neon Knights!
Neon Knights!
all right!
This is the greatest, like 99 on a scale of 1-10.
Live
at Last (1980, NEMS - my copy was released by Power Sound 2001
in 1996) - Ahhh, I've jut been doing these in the order I
grab them off the shelf, and this was in the wrong place, and it's
going to bug me. But this is another weird bootleggish CD, where
it got released without the band's permission on some weird label
and then re-released by another even weirder label, (again, with a
weird cover) where I found it on the cheap CD rack at Walmart. It
was funny to think how clueless about the entire world I was at
the time, because right after I picked it up, this girl from
school, Ginger, saw me and said hi or whatever and asked what I
was getting. And in my awkward attempt at human interaction, I
said something about having never heard of this CD before and
actually said something about hoping it was a good one with Ozzy
singing "instead of Dio or whoever," all dismissively, and that
horrifies me now, because now I'm older and wiser, and Ronnie
James Dio was so much a better singer than Ozzy Osbourne you guys,
seriously, it is insane. Anyway, this actually did have Ozzy, and
I liked it, despite the entire world (and the band) having a
hugely negative opinion toward it.
Mob
Rules (1981, Warner Bros.) - Not only is the title track off
this pretty much the secret second-best Black Sabbath song,
("Heaven and Hell" is the first greatest) but the scene from Heavy
Metal where this song plays while ever goblin looking dudes are
fucking the world up is the best combination of cartoons and heavy
metal that exists, unless you count the full 90 minute run time of
Transformers the Movie. Heavy Metal also had that scene where the
WW2 bomber gets possessed by the evil orb thingy and zombie dudes
are all decaying and evil and coming for that one guy, and even in
the edited for TNT form that I originally saw it in, that scene
screwed up my life for months, and thinking about it 20 years
later is going to make me sleep with the lights on, because I have
delicate sensibilities.
The
Best of Black Sabbath (2001, Platinum Disc) - I got this off
the same Walmart cheapo Cd rack that I got Live at Last from, and
it's not so much the actual best of Black Sabbath so much as the
best of the Tony Martin years, (or at least the best that
trifling-ass Platinum Disc could get the rights to) aka The
Version of Black Sabbath That No One Talks About. I should give
this another try someday, because I think I just kinda barely
skimmed through it and got disappointed that none of it was Ozzy
or Dio, but I'm old as hell and open to new experiences now, so
maybe Tony Martin is okay? There used to be an NFL wide receiver
named Tony Martin, and I would put him in at running back for the
Dolphins on Tecmo Super Bowl for no good reason, other than to
prove that I could rush for 1,000 yards with Miami's #4 receiver.
The
Dio Years (2007, Warner Bros./Rhino) - Man, fuck Sharon
Osbourne. After they put this out with a new new Dio-based
recordings, they were like "aw hell yeah, let's just do a whole
new album," but since Sharon owned all the trademarks by then -
she finally got Tony Iommi to sell it all off after he went broke
by having fucking cancer - only Ozzy-fronted stuff could bear the
Sabbath name. So that's why Heaven and Hell (the band) happened,
because Iommi was no longer legally allowed to use his own band's
name for his own band. They always have that ripoff of The View
that Sharon is on playing in the break room at work, and every
time I see it, part of me wishes that the Ozzfest crowd that booed
her off the stage after she got Iron Maiden egged had just
bum-rushed the show and torn her apart and gnawed on her bones
like the High Septon. Okay, maybe that's harsh, and I didn't
really mean it. Still, fuck her.
13 (2013, Universal) - Hey look, the first Black Sabbath record with Ozzy Osbourne in like 40 years happened, and it kinda sucked.